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Rock’n’roll, believes Deller, has played a part in normalising male beauty in modern times. Back then, it was something you could have in your house.” In the show, we have sculptures from Egypt that would be obscene by today’s standards. “There are a lot of problems around male nudity,” says Deller, “especially in America. He would naturally go towards the contrapostal pose of Michelangelo’s David.”Īrt from the renaissance, and earlier, celebrated the male body, but such a focus became less prevalent in later eras. “But Iggy was so natural and comfortable.

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“Even models who have been doing life drawing for years don’t quite know how to pose to best express themselves,” he says. Photograph: Sarah DeSantis, Brooklyn Museumĭuring the drawing session, which took place over four hours in February, Park found himself impressed by how well Iggy understood his own body. ‘Natural and comfortable’ … Guno Park’s Iggy. It felt important to stand naked for a group of humans and have an exchange Iggy Pop “I wanted variety.” A lot has happened to my body. “I didn’t want everybody to be perfectly adept,” he said. He was keen to have artists with a differing range of ability. To find his artists, Deller took recommendations from instructors at local schools, from the Art Students League of New York and the Pratt Institute to the Brooklyn Museum’s own studio programme. For some reason, it felt important for me to just stand naked for a group of human beings and have an exchange.” Now I feel like a lot has happened with and to my body. “Ten years ago I was a little too young,” says Iggy, now 69, in the book that accompanies the show. The museum will pair their work with objects from its collection depicting the male figure over the last few centuries: sculptures from ancient Egypt, Africa and India drawings by such artists as Egon Schiele and Max Beckmann as well as photographs by Jim Steinhardt and Robert Mapplethorpe.ĭeller, best known for creating vast imaginative works with a political theme, first approached Iggy 10 years ago, but the star demurred. The show involves 107 interpretations of the star’s nude physique by 22 artists, ranging in age from their teens to their 80s. The result, Iggy Pop Life Class, opens at the museum next month. I thought his body deserves to be looked at differently, to be taken more seriously, in a way that would connect him to art history.”ĭeller convinced the Brooklyn Museum, a group of local artists and Iggy himself to play along. “There are hundreds of thousands of photographs of him,” says the Turner prize-winning artist, “but very few drawings. Photograph: Douglas R Gilbert/Redfernsįor his latest project, Deller decided to highlight all this history in a new setting: a life-drawing class. Serpentine beauty … Iggy Pop in Chicago in 1970.